Her work has also appeared in many other publications.
Gretchen’s nonfiction, fiction, poetry, & criticism have been published widely, including Ploughshares, The Kenyon Review, Ecotone, Orion, The Iowa Review, Notre Dame Review, The Southern Review, Brevity, Witness, Denver Quarterly, Alaska Quarterly Review, Black Warrior Review, New American Writing, Performance Research, Western Humanities Review, Exquisite Corpse Annual, American Letters & Commentary, Ascent, The Collagist, Broadsided, EDNA, Potomac Review, Fourteen Hills, Crab Orchard Review, The Journal of Artists’ Books, becoming-Feral, disClosure: a journal of Social Theory, Upstart: A Journal of Renaissance Studies, READRE, ELN/English Language Notes, Drunken Boat, Witness, Kenyon Review Online, Mantis: a journal of poetry & translation, Double Room, Caketrain, The Laurel Review, Nineteenth-Century Disability: A Digital Reader, Wordgathering, California Quarterly, Civilization, Eleven Eleven, Aeon, At Length, and elsewhere. Her book reviews have appeared in American Book Review, Los Angeles Review of Books, Tarpaulin Sky, and elsewhere. Her writings also have been anthologized in The &NOW Awards: The Best Innovative Writing (both volumes I and II), The Encyclopedia Project, Ugliness: The Non-Beautiful in Art and Theory, Out of Sequence: The Sonnets Remixed, and Beauty is a Verb: The New Poetry of Disability, also shortlisted for the Pushcart Prize in Poetry, John Guyon Literary Nonfiction Prize, Sherwood Anderson Fiction Award, AWP Award Series in the Novel, and “On Our Radar” by Creative Capital. Gretchen also has been a Peter Taylor Fellow in Nonfiction at the Kenyon Review Writers’ Workshop and has received residency fellowships including the Millay Colony, Virginia Center for the Creative Arts, Anderson Center for Interdisciplinary Studies, Vermont Studio Center, Writers’ Colony at Dairy Hollow in Arkansas, Taft-Nicholson Center for Environmental Humanities in Montana, and the Jan Michalski Foundation for Writing and Literature in Switzerland. Among blog publications, she was an invited curator by Ploughshares for an interview series around “People of the Book," and other collaborations can be found here. She is a 2022 awardee of a Fellowship from the Women's International Study Center in Santa Fe and 2023 Aldo & Estella Leopold Writer in Residence in New Mexico. New writings are forthcoming in LA+/Landscape Architecture Plus and Storied Deserts: Reimagining Arid Environments. Her gratitude extends to many editors, journals, fellowships, artistic collaborators, and residencies that have supported her work.